Thu, 16 June 2022
“I realized that stopping before I was done, especially with the process-oriented thesis where I'm not completely in control. I'm like in peripheral control of what's. Not all mine. That leaves room for the viewer to come into it when everything's locked down and every detail is nailed down. I find that work can often be less engaging. If it's got a little space where you can enter into its imperfections maybe, or it's question marks. That seems to go along well with the idea of being process-driven.” – Blair Vaughn-Gruler In this episode of The Abundant Artist Podcast, we are joined by Blair Vaughn-Gruler, Blair makes paintings that are driven by procedure and process. Accumulation, repetition, erasure, and the physical motions made in the process of mark-making harken back to her many years practicing martial arts and foreground the body’s relationship to painting. A Michigan native and New Mexico transplant, Vaughn-Gruler has been obsessed with painting since childhood. Her spare, non-objective compositions are exercises in organizing space. Even when shapes or lines repeat themselves to excess, a calm arises out of the chaos. As the conceptual love child of Cy Twombly and Agnes Martin, Blair (born in 1955) makes paintings to reconcile her early modernist training with the lived experience of the information age. She holds a BFA in painting from Northern Michigan University and an MFA in Visual Art from Vermont College of Fine Art. Join us as Blair, discusses her process-driven works, sharing her thoughts on how art makes her evoke emotions, dealing better ways with gallery owners, and tips for taking yourself seriously as an artist. [00:00 - 12:13] A Conversation Between the Media and The Artist: A Process-Driven Work
A little imperfections and question marks around it.
[12:14 - 24:10] How to Work Better with Gallery Owners
[24:11 - 31:40] Expenses of Being an Artist
[31:41 - 35:31] " Discovering the Art Genealogy of Your Favorite Artists”
[35:32 - 38:22] Closing Segment
Key Quotes:
“You can put water media on there and it's going to suck the pigment into the clay, but you can't control it. So that's what makes it a conversation like I do this, it does that. I go, oh. That's not what I meant. Okay. Now I have to do this and now it does that. And that's where the conversation comes from. That is the fun part for me” – Blair Vaughn-Gruler
“You have to do some research. you have to figure out where you might want to be.” - Blair Vaughn-Gruler
“I think it's easy to get too focused on the commodity factor, The commodity, getting the physical object and, getting that sold to sort of throwing the baby out with the bath water, because what everybody's looking for in the making and the collecting. Are sort of the connection and the intangible glimpse into the mystery of creativity” – Blair Vaughn-Gruler
Agnes Martin https://www.moma.org/artists/3787 Jackson Pollock https://www.moma.org/artists/4675 See Blair Vaughn-Gruler works at gvgcontemporary.com The Abundant Artist exists to dispel this notion and teach artists like you about all of the other ways that you can make a living from your art. Connect with us: Website: https://theabundantartist.com IG: https://www.instagram.com/theabundantartist/ Facebook: https://www.facebook.com/theabundantartist/ LEAVE A REVIEW + help someone who wants to know more about the Art Industry and selling their art. Your ratings and reviews help get the podcast in front of new listeners.
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